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In our mental science fiction, every bit of physical or emotional memory serves as raw material. Shani, Moshe, and Adam, three souls that came across my life, evoked in me the same question: How someone becomes who they are. And especially, how artists become artists. At what point the childish imaginary games, purposeless amusement, and detachment from reality become craft.

This infantilism is the essence of the work The Inner Ballistics of the Infantile, which presents three artists: a musician and two dancers together in a kind of playground. A huge colorful ice-cream-like object that suddenly lights up or an electric guitar descending from above looking for a musician to land on are implanted in the work as naive magical moments, reflecting the sober roughness of growing up. 

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Choreography: Sharon Zuckerman Weiser

Performing and Co-creators: Shani Granot, Moshe Shechter, Adam Scheflan

Costumes: Tamar Ben Cnaan

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